2005 HweiLan International Artists Workshop -- 洄瀾國際藝術家駐村創作營

我們駝著自己

2005-08-03T23:15:00.000+08:00

我們駝著自己沒完沒了的世界來到這裡
石梯坪如初始般的清朗寧靜
巨大的風景思維永恆無效
走投無路啊熾熱、潮濕
我們重返身體的、非文化的群居
我們回到與世界最原初的接觸
我們開啟了一種生活
短暫而有效
那是快速捉到想像般的狂喜

藝術如此美好
我們並不陌生
當思維開始伸展
你我眼光都在前面最遙遠的海上

潘小雪 2005年7月

We arrive here.
Our personal foreign worlds
So encumbering.
Shi ti ping so peaceful, so pure.
Ocean and mountain vistas wipe out thinking
The heat
The humidity
Nowhere to flee.
Primordial and communal: stripped of our former civilized selves.
Windows are opening.
We are encountering life as it really is.
Time here has flown: yet so fruitful.
INNER RAPTURE

Art is magnificent, yet we take it for granted.
As our thoughts commence to flow,
Our eyes
Gaze across the sea
To faraway lands and…

Pan Sheau Shei [ Yuki ] 7/21/2005
Rob Rogers [white radish] translator and empathizer

輕如自己的影子

2005-08-03T23:10:00.000+08:00

洄瀾創作營今年進入第二屆了，2003年在花蓮松園舉辦，今年則在東海岸的石梯坪，參與的藝術家大都知道這是與「英三角」合作的創作營，用極少的經費，在現實中建構一個藝術烏托邦。藝術家人數、進駐日期、地點等有一定的限定，這是它特殊之處。例如，人數在20至25人之間，國內外各半，時間是15天，多和少都不適宜，地點應遠離市區，工作人員必須是創作者不是公務人員。

石梯坪是個美麗而奇特的地方，如此清朗寧靜，壯闊優雅，一個個白色巨大焦岩，躺在沉靜的藍色海上，是有始以來最具禪味的（枯）山水，也是一個可提供藝術家沉思之地，我這樣想。有時候更像是一個大舞台，見維巴里的表演令人出神，馬穆卡也找到他另一個新的顛倒世界。仲夏滿月的那天晚上，布魯斯和馬穆卡在海邊的「Table」晚宴上場了，蕉葉圓桌、月華、人影、歌誦，空間變得神秘起來……。

大港口、石梯坪一帶，是台灣阿美族最具文化潛力的部落，拜訪頭目家族的那天，大家圍在戶外吃傳統的阿美族餐，聽著他們說委屈的歷史、幽默自娛的民族笑話，當然，歌舞是最令人振奮和快樂的。小林史子和部落的老人家用日語交談，沒有人知道他們談了甚麼，我們看到的是小林紅了眼眶掉下眼淚。

海風汗漫，歌聲不絕於耳，阿美族人像靈魂付身一樣，開口吟唱，世界就打開了，人也變得神聖起來，悲傷與快樂、酒醉或清醒都不要緊了。

我們集合三大洲有經驗的藝術家，透過一個有助於藝術探索的環境，鼓舞藝術家在公眾領域中，討論不同文化的藝術，提供不同藝術創作脈絡之氣氛，以及各類藝術創作的更大可能之實驗。第一個星期的每天晚上，我們坐下來欣賞、談論每位藝術家的創作歷程，藝術家一生創作的驕傲與不安，令人印象深刻，每位創作者的作品如此特殊而又令人激賞，於是不安停止了，我們完成了認識，成為親密的朋友。

有趣的是，在鳳美和她的娘子軍們所做的編織上，所有的人隨處或坐或躺，投影機打開一頁一頁的神話，小孩不懂，先睡了，有人一直踩到狗尾巴，有人進入沉思，有人在問問題，一隻蒼蠅飛到螢幕上，停在作者影像的鼻子上動來動去，大家笑了。小容英文翻譯一流的，洪導演有默契的放著音樂，啤酒喝完了再去買……這一切都不像台北的國際研討會，但卻是非常有內涵的研討會，我敢說。

這種交換所帶來的刺激是由不同文化背景的藝術家，在公開的情境中一起討論和工作的結果，這裡沒有展覽主題，沒有美學教訓，藝術家完全自由。對外國藝術家（本國外縣市的藝術家亦然）而言，這是一個完全陌生的空間，他們感官全開地探索著，每件事都是全新的，在兩個星期的短時間內，有些奇異的經驗發生了，鼓舞創作者冒險和勇於實驗，而這些經驗在自己工作室中是從不會發生的。

這種創作營的展覽並不重要，有些相同類型創作營的國家只用三天的時間展出。因為新的藝術觀點或想像，在短時間內有時無法以完整成熟的形式呈現在展覽中，它所提供的應是藝術家往後的創作力量。局外者無法用客觀方式一探究竟，也無法從展覽中做任何評價，只有參與的藝術家懷抱著一個難於言語的秘密，回到自己的生活或國家，或者又生出另一個創作營，或者招喚同好在另一個國度再相聚。所以，它在推動一個國際藝術家創作、藝術家進駐、藝術工作室之網絡，讓藝術家能夠一起工作，交換觀念和經驗，這就是它的目的。

比較我們周圍的藝術活動，在許多大型展覽中，是由策展人的意義建構方式讓大量作品進入那個脈絡當中。我們對於這些藝術家作品所生起的美學想像，往往是策展主題先於創作者思想。另外，藝術家要不斷嘗試各種命題，不斷要把意念誇示成為具體的空間的張力，用來與他人角力，也由此獲得藝術的政治版圖，藝術創作理所當然成為這種事業，這個生產機制也只產生這類型的藝術。然而，我們看出，真正思考者是策展人而非藝術家，藝術創作也不應只有這種策展模式的作品。

我們希望建造一個創作者場域，它的生活真實而又不真實、作品可見與不可見、行動意義與無意義，人一直處於前反思的（pre-reflective thought）、蠻荒的、與世界做原初接觸的狀態，在存在的懸疑不確定中，抱著「更深沉的可能性」看待世界，一切所做的都與對象一起「萌生」……。

以下是我們的紀錄。創作營結束了，尤其是一陣17級風力的海棠颱風橫掃過後，一切輕如我們自己的影子。

潘小雪 2005年7月颱風過後

Adele Todd /Trinidad

2005-08-03T23:01:00.000+08:00

生活工作於千里達及西印度群島的塔巴戈
Lives and works in Trinidad and Tobage West Indies.

1.Title: 標出疆界：樹與岩石
尺寸:
材料: 尼龍
2.Title: 標出疆界：岩石
尺寸:
材料: 尼龍
3.Title: 標出疆界：三塊岩石
尺寸:
材料: 尼龍

說明:洄瀾真是太美了,海洋給予我們那麼多.一開始,我就想用尼龍線來創作—這也是漁夫捕魚的材料.我解開尼龍線,把它放在空間裡,我發現,它有強烈的剪影.因此,我就把它當作鉛筆,畫筆來使用.尼龍有許多用途,有些是破壞性的.因此,我也是在表達我的看法—即”人與自然”之間的對比.

1.Title: MARKING THE TERRITORY: Tree and Rock
Size: Various
Material: Nylon

2.Title: MARKING THE TERRITORY:Rock
Size: Various
Material: Nylon

3.Title: MARKING THE TERRITORY:Three Rocks
Size: Various
Material: Nylon
Statement: WHY THIS?
HueiLan is extremely beautiful. The sea provides us with so much that working with nylona-product of the fisherman’s catch was a certainty for me.
I unraveled the material and placed it against the space to realize that it cast a strong silhouette, and so I decided to use the material as one would a pencil or brush. Nylon has many uses. Some of them destructive. Yet I wanted to also make a commentary on contracts—nature v.s. man.

4.表演 “謝謝,再見” *開幕時, 在風景區上上下下走完全程.
材料: 紅燈籠
說明: 到處都看的見燈籠,我深深為它所吸引,想拿來做一件可以穿的作品,等開幕時穿.這個想法真是太棒了,不做不行.作品名稱來自村裡的居民.他們不會說英文.因此,我們最常聽到的,就是”Thank you. Bye-Bye.”這兩個英文單字.燈籠是一種招呼的方式.當我走開,我會在心裡不斷唸著”Thank you. Bye-Bye.”

4.PERFORMANCE—“Thank You, Bye-Bye.”
*Walking up and down the length of the park for the “Opening. ”
Size: Various
Material: Red Lantern
Statement: I was very attracted to the lanterns that you see all over the country and thought of using it as wearable art for the opening.
The idea was too good to pass up. Along with the title of a greeting we would hear a lot from the people in the village who speak very little English.
Lanterns are like a greeting, and as I walk away I think of the refrain—Thank you, Bye-Bye.

王力之 Li-Ch Wang /Taiwan

2005-08-03T22:42:00.000+08:00

出生/生活工作於台北
Born/lives and works in Taipei, Taiwan

作品說明:我在尋找自己的地方
材料棉布
說明:
一種對海洋的妄想
藍與藍凝聚成力量
我與我在此相遇

Title: I am looking for my own place
Medium: cotton
Statement:
A kind of fantasy about the ocean
The strength bond by adding
Blue unto Blue
I meet myself right here

Bruce Allan / UK

2005-08-03T22:39:00.000+08:00

他以英國格羅卻斯特的狄音森林為根據地，經常與他人合作創始與策展國內外各項計畫。

Bruce Allan is based in the Forest of Dean, Gloucestershire, UK.
Bruce often works with others to initiate and curate projects nationally and internationally.

作品名稱：A計劃及B計劃
媒材：攝影

說明：
在洄瀾國際藝術創作營舉辦期間，所有參與的藝術家都被分配住在民宿的A幢及B幢。
所有的房間皆沒有衣櫃或其他櫃子。
我的房間很快便變成垃圾場，到處充斥著從我行李箱掏出的東西與及大包小包的雜物。窗帘的軌道同時也是掛濕浴巾、襯衣與及褲子的架子。有的時候電風扇會被浴巾遮蓋，內衣褲則掛在電視櫃的角落，而電視則消失在沙灘巾及斗笠後面。
我很想看看究竟別人的房間會發生甚麼事情。他們如何處置衣服及雜物？
從我拍攝的照片中正展示了我的發現。
謝謝我的同儕讓我拍攝他們的私人空間。

Title:A & B PROJECT
Medium: photograph

Description:
For the duration of the HweiLan International Artists' Workshop participating artists were allocated rooms in blocks A and B of the hostel.
The rooms were without wardrobes or cupboards.
My own room quickly became a dumping ground for the contents of my suitcase and bags. A curtain rail doubled as a hanger for wet towels, shirts and trousers. From time to time towels covered a fan, underwear hung from the corners of a television table and the television disappeared beneath a beach towel and Chinese hat.
I was curious to see what was happening in other peoples' rooms. How were the others managing their clothes and possessions? The photos I have taken show what I found.
I am grateful to my colleagues for allowing me to record their personal space.

作品名稱：無題
媒材：十幅照片與及防蚊網

Title:UNTITLED
Medium:10 photographs with a mosquito net

作品名稱：太平洋窗口
媒材：竹子

Title:PACIFIC WINDOW
Medium:Bamboo

石瑛媛 Ruby Shin /Taiwan

2005-08-03T22:36:00.000+08:00

Title: 海洋心．情
材料漁網、天然素材、工具、用品
說明:
像一口用感動加過持的酒.
喝完了,卻在體內持續發酵……
當有心時,情就會在

Title: ”Unfullfilled feelings”
Medium: fishnet, natural materials
Statement:
The wine is blessed by deep feelings
You drink it and
It remains in your body ……
Still fermenting……
When you wish for it,you will be touched.

Chhatrapati Dutta / India

2005-08-03T22:30:00.000+08:00

工作生活於印度加爾各答
Lives and works in Kolkata, India.

作品名稱: “台灣製造”
材料: 集合物.紙.泡泡包裝紙
說明: 我的想法是,把今日消費主義所產生的垃圾再一次回收.
我把這些蒐集到的物品轉化,做成一個”文化空間”.
意思是,在這全球化的世界 ,尋找”自我認同”的同步行為.

Title:” MADE IN TAIWAN”
Medium: Found objects, paper, bubble wrap sheet
Statement: The idea is to recycle garbage that consumerism generates today. Transforming, recreating a “culture space” out of these collected objects.
I intend to simulate the on going search for “identity” around the globalized world today.

作品名稱: “莉莉風景”
材料繪圖板的複寫痕跡,照片,電腦影像輸出
說明: 我想嘗試在這個電腦紀元所做出來的,看不出來源出處的圖像.

Title: ”Lee Lee Landscape”
Medium: carbon traces from drawing pad, poto, CG images on paper
Statement: The intention is to tap unrecognized sources of image making in a computerized age.

李炘明 Hsin-Ming Lee / Taiwan

2005-08-03T22:27:00.000+08:00

工作生活於台北台灣
Lives and works in Taipei, Taiwan.

作品名稱: 一切都是因為愛
尺寸：A4 × 11
材料：水彩
說明：來到,然後離去,卻不輕易遺忘,不知道要如何對你表示。也不知道能給你什麼。只好將所有的感謝與感動,用我僅會的方式讓你看見。

Title: All Because Love
Size: A4× 11
Medium: watercolor
Statement: We arrive, and depart. Yet it's not easy to forget. I don't know how to express my feelings. Not knowing what to give to you.
Yet my deep feelings and gratitude of all that I have felt & experienced.
I will express with the only way known to me. And you shall “see” it.

Cristina Schiavi / Argentina

2005-08-03T22:24:00.000+08:00

生活工作於阿根廷, 布宜諾斯艾利斯
Lives and works in Buenos Aires, Argentina.

作品名稱: 台灣質感
材料斗笠,盤子,紙/紙箱
說明: 我用這件裝置作品,來表達我到台灣的個人感受.對我來說,到處充滿了彩色的影像,以及各式各樣的質感,

Title: Taiwanese Textures
Material: Hats, Plates, Paper/Cardboard Boxes
Statement: In this installation, I would like to express my personal feelings about the sensations of being in Taiwan which for me is full of colored images and all kinds of texture.

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見維巴里 Pa Li /Taiwan

2005-08-03T22:22:00.000+08:00

出生於台東鹿野/生活工作於台北
Born in Taitung, Taiwan/lives and works in Taitung, Taiwan

1.作品名稱：旅行
尺寸: 219cm × 132cm
材料: 京和紙,複合媒材

1.Title: Journey
Size: 219cm × 132cm
Material: Ching-Ho Paper, Mix Media

2.作品名稱：白雲之上
尺寸: 219cm × 132cm
材料: 京和紙,複合媒材

2.Title: Above the Cloud
Size: 219cm × 132cm
Material: Ching-Ho Paper, Mix Media

3.作品名稱：礁岩月光浪拍岸
尺寸: 219cm × 132cm
材料: 京和紙,複合媒材

3.Title: Rocks, Moonlight, Waves against the Shore
Size: 219cm × 132cm
Material: Ching-Ho Paper, Mix Media

說明: 這三張聯作是關於礁岩的旅行與演化之創作.
Statement: The works are about the movement and the evolution of rocks.

4.作品名稱：穿越記憶的詩人
材料: 表演藝術
說明: 一個時空的旅人
穿越記憶的走廊
來到了地球
隱沒在萬物中
漸漸演進到……如今

藝術指導／見維巴里
編舞演出／陳紹麒
攝　　影／郭娟秋、見維巴里、Tanya Abadjieva
造形設計／見維巴里

4.Title: The Poet passing through his memories
Material: Performance
Statement:
A traveler in time
Who passing through the corridor of memories
Came to this earth
Hidden amongst all creation
Slowly evolving into…… up to this moment

Art-Director／Pa li
Choreography／Dance／Shiao- Cing Chen
Photography／Jiuan- Chiou Kuo、Pa li、Tanya Abadjieva
Make-up／Body Paint／Pa li

Fumiko Kobayashi / Japan

2005-08-03T22:21:00.000+08:00

作品名稱:其他漂浮的島嶼
材料: 海水,電視螢幕,雷射唱盤
說明:
在日常生活中，人們依靠哪些助力來保持平衡?
人們會不自覺地,由過往經驗中去發堀新的視野.

Title: Other floating islands
Material: Sea water, TV monitor, DVD player, etc.
Statement:
What provides support in people’s daily life and what helps them keep their balance?
People discover new horizons unconsciously in their past experience.

周靈芝 Julie Chou /Taiwan

2005-08-03T22:15:00.000+08:00

工作生活於台北
Lives and works in Taipei.

作品名稱 : 蜘蛛小徑
Title of work : Spider’s Path

媒材 : 紅色縫衣線、木板、油漆
Media : Red thread, wooden board, paint

尺寸 : 視場地情況而定
Size : Depend on the site

創作自述：
從印度回來不久，腦裡塞滿了鮮明的印象和刺激，花蓮的好山好水提供了大自然的撫慰，讓我安靜下來。

作品「蜘蛛小徑」，是以摹擬手法仿東管處「半面山」、「月洞」等標示，為東海岸新立一個景點。

我用紅色細線結成蜘蛛網，沿著一條幽靜的小路，散佈在青綠林間，路的盡頭便是巖石嶙峋、波光潾潾的蔚藍大海。

蜘蛛小徑連結了公路與海洋，透過景點確立的動作，吸引遊客入內，自在地探索和發現人為與自然間的和諧並存和輕柔對話。

Statement:
After coming back from India, my memory was full of all kinds of bright colors and stimulating images. The beautiful scenery of mountains and ocean at Shihtiping provides soothing effect and gives me comfort and peace.

My work 'Spider’s Path' tries to mimic the signs of East Coast National Scenic Area Administration, such as 'Cuesta', 'Moon Cave', and establish a new spot for sightseeing.

I use thin red thread to make spiderwebs, spreading among the woods along a quiet path, which leads to the rocks at the shore and the open sea.

The path connects the road and the ocean. Through the establishment of the sign 'Spider’s Path', visitors are allured to walk in, to explore at leisure and to discover the harmony between artificiality and nature as well as the gentle dialogue between art and nature.

劉莉莉 Lily Lau /Hong Kong

2005-08-03T22:10:00.000+08:00

作品名稱：海濱故事>>二十八位花蓮英雄與英雌的傳說
尺寸：二十八個立在草地上的木板,各16 cm × 28cm
材料：數位輸出及夾板
說明：有關口述歷史的再造以及記憶的葬禮.

Title：Seaside Stories>>TWENTY EIGHT Legends of Heroes and Heroines in Hualien
Size：28 pieses of 16 cm × 28cm wooden stands on grassland.
Material：Digital prints and plywood
Statement：About remarking oral history and the burial of memories……

周孟曄 Meng-Yeh Chou/Taiwan

2005-08-03T22:05:00.000+08:00

作品名稱：顫
說明:如果你用身體來迎合我的世界,我將甘願被破壞變形.

媒材:石頭,鐵絲
Medium:Stone,wire.

Title: Vibration
Statement: IF you’re willing to walk through my world, I am willing to risk you damaging it.

Joel Haas /USA

2005-08-03T22:02:00.000+08:00

出生/生活工作於美國北卡羅萊納州雷禮市
Born/lives and works in Raleigh, North Carolina, USA

作品名稱: 通往樂園的阻礙
作品材料本地的石頭和竹子
說明: 在這裡,我們看見”樂園”—海灘,海灘上一棟漂亮的房子,還有一個庭園.(事實上,英文” Paradise,樂園”這個字,原本就是從”garden,庭園”的古字衍生出來的)
但是,就像真實的世界一樣,我們會看見阻礙.光是往前衝,是不可能到達樂園.必須小心地通過重重阻礙,才有可能—即使如此,一陣突來的風,也會把障礙物掃到你的路途上.

藝術家小記:這一次拜訪,許多人都對我很好,我想感謝所有的人,他們實在太棒了,不管是阿美族,漢人,台灣人,客家人—雖然我離家那麼遠,卻像是回到家裡一樣.
雕刻家, Joel Hass

Title: Obstacles To Paradise
Material: In local stone and bamboo
Statement:
Here, one can see “Paradise”-the beach, a fine beach house, and a garden. (Indeed, the English word “Paradise” comes from an older word meaning “ garden.”)
But, as is the way of the real world, there are obstacles one sees before one. One cannot simply rush forward to reach this Paradise. One must move carefully among the obstacles to reach Paradise—and even then, a sudden wind may suddenly swing an obstacle into your path!

The artist’s note:
I would like to thank all the wonderful people who have been so kind to me in my visit.
Amis, Chinese, Taiwanese, Hakka have all made me feel at home-though I am far from home.
-- Joel Haas, sculptor

陳淑燕 Chen Shu-yen / Taiwan

2005-08-03T22:00:00.000+08:00

出生於台東鹿野/生活工作於台北
Born in Taitung, Taiwan/lives and works in Taipei, Taiwan

作品名稱：橘色海洋~風彩
Title：Orange Sea ~ winds & colors

材料：棉布、植物（薯榔）、陽光、海水
Medium：cutton，wild yam，sun & sea water

說明：
這是一個過程
透過身體勞動和這裡的環境發生關係和轉化
一如染色的狀態
色素對纖維產生滲透與固著的影響

（薯榔）來自山上植物的色彩
經過陽光的強烈壓力及海洋的洗禮
轉變出既強壯又柔和的橘紅色
迎著海風與藍色海洋
如呼吸般地鼓脹飄揚
Statement：
This is a Process.
Through physical labors， I try to make connection and transformation with the environment here.
It’s like doing color dyes.
Colors will saturate and fix.

The natural dye was obtained from the root of a cartain kind of wild mountain yam.
Bleached by burning sun light and washed in ocean water , the dye was gradually transformed into a color & tender orange.
When the wind blows，my clothes（fibre works）will float.
They seem to be breathing and ready for sailing across the sea.

Moisseev Maxim /Russia

2005-08-03T21:40:00.000+08:00

出生/生活工作於聖彼得堡
Born /lives and works in St.Petersburg, Russia

作品名稱: 自由
材料氣球、氦氣
說明:來到台灣,我感受到真正的自由、解放,這就是我的作品裡表達的.

Title: Freedom
Medium: balloon.helium
Statement: My work is an expression of the freedom I’ve experienced here in Taiwan.

作品名稱: 無題
尺寸 60cm*60cm
材料數位輸出

Title: Untitled
Size: 60cm*60cm
Medium: photo, CG images on paper

「這創作營不是我所期待的那樣，但它比一個創作營多出更多東西…它在我生命中注入巨大的愛…我所經驗到的是如此接近自然和人，它非常新，而且激勵著我，它在我靈魂中留下很深的痕跡。同時，透過我的作品以及所有我所做的也影響了其他人」

Some seeds are growing inside of me. I felt it only when I got back to my country, and something similar must have happen to others who left after me, I know. I try not to lose this feeling but it is a bit difficult here you cannot be open-hearted with people or they will hurt you.
I changed very much. I feel it. I feel the change! So, in two words, the workshop was not I was waiting for. It was much more than a workshop.
An artwork, I say. Yuki, Your art is to create an atmosphere for all of us. I thank you for that gift.
I received a hugest injection of love in my life, I swear!
I will never get so close with my parents (!) as with Rubi, for example. The experience of being so close to the nature and people is very new and inspiring for me.
It left great traces in my soul. And it will influence other people through my artwork and all I do.
The only thing I want to say about my work is already said by Anna Akhmatova,
famous Russian poet (woman):
“ Flowers always grow out of the most dirty garbage.”

郭娟秋Jiuan-Chiou Kuo/Taiwan

2005-08-03T21:00:00.000+08:00

出生於基隆/生活工作於台北
Born in Keelung, Taiwan/lives and works in Taipei, Taiwan

作品名稱：岩石天空海
Title：Rocks，Sky and Sea

媒材：數位攝影輸出、素描
Medium：Digital photo print-out，drawing

作品說明：
當我坐在亭子裡畫畫時
偌大的山海
寂靜得只聽到
風聲浪聲與鳥鳴聲

風拂過潔淨剔透的
岩石天空海
瞬間剎那
時間在雕刻自然

人看見時間

Statement：
When I was painting in the pavilion
Mountains and sea are immense
I can hear the sound of silence ---
Winds , waves , and birdsongs

When the wind sweeps through the crytal clean water
Rock , sky , and sea
Instantly , in the very moment
Time is the sculptor of Nature

And time is visible to all.

作品名稱：陷落
Title：Fallen

媒材：數位攝影輸出
Medium：Digital photography Digital photography

說明：
鳥與魚
都因人而陷落
在一個不屬於牠們的地方

Statement：
Birds and fish
Are fallen because of men
To a place where they don’t belong

Mamuka Japaridze / Georgia

2005-08-03T20:59:00.000+08:00

生活工作於喬治亞首都替比里斯
Lives and works in Tbilisi, Georgia.

作品名稱：視覺神話易位
媒材：光、廂形車、數位影像輸出、岩石、身體
作品說明：以一種迥異的方式看世界：

歡迎搭乘 "Optimistik Translookation"車，
來一趟『視覺神話易位』之旅。

剛開始的五分鐘，你的眼球會忙於適應黑暗，
然後漸漸有一些模糊的影像出現，
你會看到週遭的世界在身邊浮現，但上下顛倒。

旅程歷時15分鐘，最後回到起站。
等候搭車期間，你可以品嚐一杯來自我家鄉喬治亞共和國的茶。

或者，您也可以循著路上的指示，
找到一塊大石，躺下去，體驗我所體驗過的世界。

Title of work: Optimistik Translookation
Media: Light, Boxtruck, Computer Print Banner, Stone, Body
Work description:Experience looking at the world in another way.

Come and take a journey in the Optimistik translocation truck.
For the first five minutes your eyes will adapt to darkness After this you will see obscure images of the world around you upside down.
The journey takes 15 minutes and ends at the same place where it began.

While waiting for the truck you can enjoy a cup of tea from my homeland, Georgia.

Stone

Follow the signs to the stone to be further transported. You can lie down on your back and look at the horizon behind you. Then you can experience things that I’ve experienced.

溫孟威 Meng-Wei Wen / Taiwan

2005-08-03T15:26:00.000+08:00

出生於台灣台北/生活工作於台灣花蓮
Born in Taipei/lives and works in Hualien, Taiwan.

作品名稱：山澳之旅
材料：水墨紙本
說明：一群旅行的藝術家,從天涯海角來到天涯海角,在夏至的烈日之下,進行漫漫的創作之旅.

Title:Traveling Through Mountains and Deep Water
Statement: From every corner of the world, artists came to this far-away place. Under burning sunlight, we are on the way to create our work.

Tanya Abadjieva / Bulgaria

2005-08-03T07:02:00.000+08:00

出生於保加利亞/生活工作於英國布里斯多
Born in Bulgaria /lives and works in Bristol, UK.

作品名稱：海洋與湖
Title：The Ocean and The Lake

媒材：錄影、望遠鏡、海洋
Medium：video installation.
media：video、telescope、ocean.

說明：
我從遙遠的地方來。
我先看見了荷花池的美，然後，我又看見了海洋的藍與綠－甜與鹹－簡單。
簡單的事物令人快樂。
現在，我想起文成幾天前告訴我的話：「別擔心，你還能吃下一條魚。」

Statement：
I come here from far away. First I saw the lotus Lake in all it's beauty.
Then I saw the Ocean Blue and Green-sweet and salt-simplicity.
Simple things can make you happy.
Now I think of what Io told me days ago "Don't worry you still can eat a fish."

感謝佈展的工作人員，以及所有協助我的朋友和廠商：
曉蕙、姮憓、吳先生（全有行望遠鏡股份有限公司）、吳文成、愛玲、小雪、Bluce Allan

Many thanks to the installation crew and the follwing individuals and company
Mr.Wu (observe telescope Ltd.)、Shao Hui、Wen-chen Wu、Eileen、Panay、Yuki、Bruce Allan

廖柏森 Vincent Liao /Taiwan

2005-08-03T06:43:00.000+08:00

出生/生活工作於台灣台北
Born/lives and works in Taipei, Taiwan.

作品名稱：海
尺寸 : 160 × 220 cm
材料 : 紙、碳筆
說明:真正的力量,往往是創造跟毀滅,像海.

Title: Ocean
Size: 160 × 220 cm
Medium：Charcoal Drawing、Paper
Statement:Real strength always comes from the act of creation and also destruction, just like the ocean.

Nermine El Ansari / Egypt

2005-08-02T18:22:00.000+08:00

出生於法國/生活與工作於埃及開羅
Born in France/lives and works in Cairo, Egypt.

作品名稱：印象
Title：Impressions

說明：
這些綠樹，我想看它們變成粉紅。
來此之前，我只接觸過「台灣製造」的塑膠製品和電子機器。
現在，我置身於自然之中，與群山大海為伍，遠離城市，跟在地人溝通。

Statement：
I wanted to see there green tress in pink.
Before coming，I was only dealing with plastic objects and electronic machines MADE IN TAIWAN
Now I am in the middle of nature ，with the ocean and the mountails，far from any city，communicating with local people……

材料：照片、電腦輸出
Medium：Photography and computer print-out

蔡海如 Hai - Ru Tsai /Taiwan

2005-08-02T05:49:00.000+08:00

出生/生活工作於台灣台北
Born/lives and works in Taipei, Taiwan.

作品名稱:好的~
材質方式:
以仙女棒於石礫海灘邊排出大大的”好的”2字,
邀請創作營的朋友們一起點燃活動過程以影像紀錄配樂剪接影片呈現

創作動機:
在洄瀾國際藝術創作營中蔓延開來
愛琴小姐輕柔的口頭禪 : 好的~
想邀請大家以愉快的方式共同注視這種很棒的生活智慧與態度

Title:“Oh, All Right.”
Material:
I installed a lot of sparklers on the beach, arranging them so they looked exactly like two huge Chinese characters”好的”(meaning Oh, all right).
Then, I invited all my friends from this workshop to light them. The entire action was documented and presented in a film with music.

Statement:
“好的”(meaning Oh, all right) is a catch phrase used often by AI— Ching (a Taiwanese artist). During this workshop, the phrase spread.
I want to invite everyone to observe, joyfully, the wisdom expressed in this phrase.

作品名稱: 不˙要
材質方式:影像裝置
創作動機:
快兩歲的兒子每天都在大喊著不要這個,不要那個…
每個人生命中總有許多要與不要,或任性或沉重
每次選擇要或不要,都交織在自己與他人的生命故事書寫過程

Title:“No, No.”
Material: video installation
Statement:
Everyday my two-years-old son cries"No. No."
In our own lives, we also need to say a lot of "Yes's"and"No's".
We do it either willfully, or with a burdened heart.
When you make a choice( to say " yes" or " no" ) , our lives will be instantly interwoven with others’. The process itself tells the story.

蔡文慶 Wind Chin Cai /Taiwan

2005-08-01T20:28:00.000+08:00

生活工作於台灣花蓮
Lives and works in Hualien, Taiwan.

作品名稱：時間的潛行（三）
媒材：木
作品說明：
時間像海浪，前俯後繼。我用有限的生命和理智的視窗，欲窺時間的玄機和意趣。
或捕捉時間潛行的印記和腳步，讓年過中年的生命能從中回憶往事和憧憬未來。

Title of work: Time Slipping Away
Media: Wood
Statement:
Time never stops. It moves forward like the ocean waves against the shore.
Within this limited life-span and perception, I try to examine the meaning and philosophy of time.
I also want to catch the footprints left by time slipping away.
As a middle-aged man, I want to remember the past and hope for the future.

饒愛琴 Ai – Chin Rau / Taiwan

2005-08-01T08:36:00.000+08:00

出生於桃園/生活工作於台東
Born in Taoyuan, Taiwan/lives and works in Taitung, Taiwan

作品名稱：自然存在消失
Title：Nature、Existance、Disappearing

尺寸：180 × 92 cm × 五桌
Size：180 × 92cm × 5

媒材：紙、純植物色素、炭筆、海邊天然物
Medium：cotton，natural dye，crayon. Plants from beach.

說明：
花朵、葉子直接塗、抹、槌在紙上
整本被拆開的素描本
太陽月光風
慢慢侵蝕或加強
一切自然存在消失

Statement：
I put flowers and leaves on my papers.
I hammer thanm hard and use the compressed paint.
The sketch book was taken apart.
There is sun，moon，and wind.
Whether my images will gradually eatened away or getting stronger，it does’t matter.
Just let it be.
Let it exist.
Let it disaapper.

作品名稱：海裡泅泳
Title：Swimming in the Ocean

尺寸：170 × 155cm
Size：170 × 155cm

媒材：牛樟、油彩、藤皮、純枯物色素
Medium：camphor tree，rattan skiw，newspaper，natural dye，oil paints.

說明：
幾乎，每天臨暗時節
拿著呼吸管、水鏡，往固定方向走去
這幾棵榕樹三叉路口，也是必經之路

海底世界，純粹只有水的呼吸聲和
永不規則的律動
在海裡，也同樣聽到自己不規則的呼吸聲
享受在大自然水的美，我也只是一根海草
純粹泅水，純粹記憶這段石梯坪泅水的日子

Statement：
Everyday when it’s getting dark，
With snorkel in my hands，
I walk toward the same direction.
On the path，at the three-roads-crossing,
I come upon these old trees.
Beneath the ocean，you hear nothing but the sound of water-breathing.
It’s a sound of irregular rhythm.
I hear my own breathing，which is also irregular.
I feel like a seaweed，enjoying the beauty of nature and the ocean.
Just swimming.
Just remember these days.

仲夏之桌 A Midsummer Table

2005-07-31T22:34:00.000+08:00

作者：布魯斯亞倫、馬穆卡加法雷德茲與所有參與創作營的朋友們
媒材：竹子、芭蕉葉
作品說明：在仲夏夜的月圓之夜，所有人圍坐在這直徑七公尺的圓桌上用餐有種神秘感。
我邀請人們帶些適合這個時機的物品、歌曲或故事來到這圓桌上，達塔帶了加爾各答的杯子、馬穆卡的喬治亞酒、雅黛爾的歷史書和喬的音樂...

Artist:Bruce Allan, Mamuka Japharidze and participants and friends of the 2nd HweiLan Workshop.
Medium:Bamboo,banana leaves
Description:The table was seven metres in diameter - the occasion the 21st June. Seven goes into twenty one. The roundness of the table and the moon and the company (everyone) was magical.
We had invited people to bring objects/songs/stories to the table that could be appropriate to the occasion. Chhatrapati/ Kolkata cups, Mamuka/ Georgia wine, Adele/ a history book, Joel/ a music……….

燈塔 Lighthouse

2005-07-31T21:44:00.000+08:00

作者：李炘明 & 廖柏森
作品名稱：燈塔
作品說明 : 很喜歡這座燈塔,小小的,孤立在港口的邊界.
可惜裡面堆了太多垃圾
我跟炘明決定改變它,所以,跨上我們的腳踏車,讓輪子轉動,向它前進,好像期待什麼…
雖然,一切是那麼不確定,也好.

Artists:Vincent Liao & Lee Hsin Ming
Title: Lighthouse
Statement: It’s a small lighthouse that stands alone on the edge of the harbor. We like it very much.
It’s a pity that when you get inside, you can see garbage everywhere .
So we decided that we wanted to make a change. We hopped on our bicycles, and we went to the lighthouse.
Although things were uncertain , we expected something to happen. That’s good.

潘小雪 Sheau-Shei Pan

2005-07-31T21:14:00.000+08:00

作品名稱：1.藍與黑
Title: 1.Blue and Black
材質：攝影
Medium:photography

作品名稱：2.在月夜的海上漫舞
Title: 2.Dancing on the Moonlit Sea
材質：攝影
Medium:photography

劉曉蕙 Hsiao-Hui Liu

2005-07-31T20:58:00.000+08:00

作品名稱：獻給精神勞動者
Title: Dedicated to Spiritual Labourer
材質：草、煙
Medium:grass,smoke
作品說明：我想說明的是，人類如此的勤奮和努力，為的只是求得一束通往天空的煙。
Description：All i want to say is that people worked so hard all their lives in exchange for nothing but a puff of smoke.

黃錦城 Chin-Chen Huang

2005-07-31T20:30:00.000+08:00

作品名稱：無題
Title: Untitled
材質：攝影
Medium:photography

工作人員 Crew

2005-07-31T18:54:00.000+08:00

創作營的工作人員大都是2003年創作營的藝術家，有些是藝術學校學生。他們都是最棒最負責的朋友。

All of the workshop workers are local artists who had either shown exhibits at the Pine Grove [nov. 2003], or are Hualien art students. They are the best responsible friends.

■ 馬浪阿雄 Ma Lang Ah Shiong

■ 林鳳美 Feng-Mei Lin（Sumi）

■ 李姮憓 Heng-Hui Lee（Panay）

■ 潘小雪 Sheau-Shei Pan （Yuki）

■ 洪隆邦 Long-Bang Hong

■ 陳明珠 Min-Zu Chen

■ 黃琮郁 Cong-Yu Huang

■ 曹小容 Tsao Hsiao Rong

■ 劉曉蕙 Hsiao-Hui Liu

■ 黃錦城 Jin-Chen Huang

■ 鍾麗萍 Li-Pin Zong

■ 江惠蓉 Hui-Rong Jiang（Muni）

開幕 Opening Day

2005-07-31T18:10:00.000+08:00

開幕當天花蓮文化局局長致詞表示支持創作營在花蓮繼續舉辦下去。花蓮文化環境創造協會理事長陳明珠致詞鼓勵。來賓有來自台北的策展人蕭麗虹、范姜明道與藝評人陳泰忪以及花蓮、台東藝術界的朋友、教授與學生。
亞戴爾用紅色台灣吉祥鳳梨球製作衣服穿在身上驚艷全場。

The director of the Hualien Cultural Centre spoke to us of their continuing support of Hualien Artists’ Workshop projects
The chairman of the Hualien Cultural Heritage Foundation offered us valuable words of encouragement.
The curators, Margaret Hsao and Ming-Dao Fanjang, the critic, Tai-SongChen, various Hualien and Taitung county artists, and students and professors from the local universities attended.
Adele Todd transformed a traditional Taiwanese “good luck” ball into a very shocking dress that opened the eyes of one and all as she entered the grounds.

升火工作室 the Fire Studio

2005-07-31T17:45:00.000+08:00

這次創作營主要基地，是林鳳美和家人親手蓋的房子，平時這裡是她們作手工藝的工作室。
我們毫不客氣的把這裡當成自己的家那樣工作起來。

The workshop, built and owned by Lin Feng Mei, and named “the Fire Studio,” is usually a gallery for her handicrafts.
For the next two weeks, however, we made ourselves at home in this cozy little environment.

創作論壇與演講 the Forums

2005-07-31T00:06:00.000+08:00

創作營第一個星期的每個晚上，來自各地的藝術家輪流介紹自己的創作歷程與作品，並且跟其他創作者互動討論。大家都坐在由生火工作室的朋友編織的作品上。

除此之外，我們還邀請了藝術家盧憲孚與紀錄片導演黃明川來作演講，演講內容分別是「易木奇」與「台北公共藝術」。

During each night of the Workshop, four Artists were asked to present their recent works at thr studio.Artists were also invited to deliver a speech on the campus.

Shien-Foo Loo, a renowned Taipei sculptor, gave a speech entitled, “Yi Yi.”
Film director, Min-Chuan Huang, talked of “Public Art” in Taipei.

交流 Interaction

2005-07-30T22:07:00.000+08:00

這段期間我們藉由分享彼此的作品與創作經驗，豐富彼此的生活。
我們互相支援創作，藉此擴大自己的視野。

Throughout the workshop, we acted as a team, sharing our creative talents and assisting each other in our various art works.
It seemed that a little bit of everyone of us went into each exhibit.

食物 Food

2005-07-30T01:16:00.000+08:00

在太平洋畔的石梯坪部落裡，我們享受到最傳統的阿美族食物。
有時候我們到頭目家吃飯作客，有時候在海邊草地上野餐。
大聲告訴你，Sumi是全世界最棒的廚娘。

Shi Ti Ping was the ideal seaside venue for amis and seafood treats. One evening we were fortunate enough to be invited to dine with the village chief. Another amazing evening was spent picnicking next to the beach under a million twinkling stars.
I want to tell you loudly that Sumi is the best cook in the world.

晚餐 Dinner

2005-07-30T01:00:00.000+08:00

晚會 Festivities

2005-07-29T23:28:00.000+08:00

晚會

幾個晚上在項鍊工作室、巴哥浪船屋以及升火工作室，我們昌歌跳舞，欣賞著阿美族藝術家拉黑子與阿道的表演，最後大家陶醉在月光、火焰、音樂、啤酒、舞蹈與歡笑中...

Festivities

Many nights were spent joyously at Ba Ka Lan, an ingeniously built house shaped like a ship, at Shang Lien Studio, and of course, in our home, the Fire Studio.
The Amis quite often joined us; dancing, singing, and merry-making into the wee hours of the night.

感謝 Thanks

2005-07-29T22:39:00.000+08:00

這個創作營感謝「英國三角藝術信託」主持人羅伯特羅德和他的工作夥伴，在理念、技術以及介紹藝術家等各項的協助；我們也非常感謝港口部落以及石梯坪部落阿美族朋友，無論在食宿生活以及支援藝術家創作上的賣力幫忙，在晚會帶來的歡樂令人感動；感謝花蓮縣師範學院美教系技術支援以及東華大學民族藝術研究所學生的活動記錄。

感謝愛好藝術的陳震宇醫師與夫人蘇素敏經費贊助，蔣素娥、潘月容、陳明珠各相支援；以及花蓮藝術界朋友林忠石、黃河清等提供啤酒，友誼常在。洋蔥設計友情協助編輯作品集。

最要感謝文建會、原民會、東部風景管理處、花蓮縣文化經費補助以及各項鼓勵與援助，吳錦發副主委、吳淑姿局長蒞臨開幕儀式、東部風景管理處提供場地，處長張永仁與各級主管熱心關切。

一切感懷將銘記在心，我們的工作人員未來將致力台灣的國際藝術與文化交流，並為花蓮帶來文化的活力。謝謝！

We wish to express our appreciation to the Triangle Arts Trust president, Robert Lorder and staff, who offered us invaluable advice setting up the workshop and recommending artists from around the world.

Let’s not forget Dr. Chen Tzen Yu and his vibrant wife, Su Su Min whose sponsorship made this marvelous experience possible.

Also Chiang Su Er, Pan Yue Rong and Chen Min Tzu for their unfailing support when the going was rough.Lin Tzong Shi and Huang He Chin saved the day many a time by showing up with ice cold “Taiwan Beer.” All of us thirsty artists are eternally indebted to you!

It would be impossible to ignore the generosity and hospitality of the Amis people. We were constantly in awe of their spectacular cooking, dancing, and above all, inspiring lifestyle in general

At last we wish to thank the Cultural Council, the Aboriginal Council< the East Coast office, and the Hualien Cultural Centre. They provided us with the funds, locales, and support necessary to make our undertaking such a memorable success.

指導單位/
行政院文化建設委員會
行政院原住民委員會
交通部觀光局東部海岸風景管理處
花蓮縣文化局

主辦單位/
花蓮縣文化環境創造協會
英國三角藝術信託

協辦單位/
台北國際藝術村
國立花蓮師範學院美教系
國立東華大學民族藝術研究所
淡水竹圍工作室
花蓮縣德武國小
升火工作室
項鍊工作室
野鴿子劇場

贊助者/
陳震宇
蘇素敏

Supervisor/
The Taiwan Council for Cultural Affairs, Executive Yuan
The Taiwan Council Indigenous Peoples, Executive Yuan
East Coast National Scenic Area Administration Tourism Bureau
The Hualien Culture Center

Organizer/
The Hualien cultural Heritage Foundation
Triangle Arts Trust

Contributor/
Taipei Artists Village
National Haulien Teachers College
National DonHwa University
The Bamboo Curtain Studio
Wild Dove Theater
The Fire Studio
The Shang Lien Studio
The Bager Lang Studio
DeWo Primary school

Sponsors/
Dr. Tzeng-Yu Chen
Su-Min Su